Timothée Chalamet posed with his Bones & All co-star Taylor Russell and Luca Guadagnino, the director of the movie, on the latest cover of the magazine Variety. The trio gave an interview to the magazine and a photoshoot had also been released. You can find the photos in the gallery and read the interview right below.
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Magazines & Scans > 2022 > November | Variety
Variety — Timothée Chalamet and Taylor Russell Will Eat You Alive: How ‘Bones and All’ Became the Year’s Sexiest Cannibal Love Story
Timothée Chalamet has been on a wilder world tour than most rock stars.
Between shooting “Dune: Part Two” in Budapest and “Wonka” in London and the cannibal romance “Bones and All” in Ohio, he’s hardly had time to sleep in his own bed. “We did the ‘French Dispatch’ premiere in Cannes,” he says about the debut of the Wes Anderson comedy in the south of France two summers ago, where he walked the red carpet in a silver suit. “And then I was immediately doing the vocal and dance training at Leavesden” — to take on the role of Roald Dahl’s Willy Wonka — “which was wonderful, because I went from playing a disenfranchised cannibal on the outskirts of American society in the ’80s to a gifted young chocolatier and now a space prophet.”
On this afternoon, 26-year-old Chalamet is taking a break from inhabiting the dangerous planet Arrakis in “Dune: Part Two” to attend the London premiere of “Bones and All.” The drama, which premiered to a 10-minute standing ovation at the Venice Film Festival in early September reteams Chalamet with Luca Guadagnino, the Italian director who turned him into a movie star with 2017’s Sundance darling “Call Me by Your Name.” That gay romance, in which Chalamet plays Elio, an American teenager who falls in love with an older man, not only made Chalamet, then 22, the second-youngest best actor Oscar nominee in history, it gave peach emojis a whole new reason for existing.
If “Bones and All” could be just as culturally relevant, Hollywood would breathe a sigh of relief — because the world of indie cinema could use a jolt. Some 20 years ago, a generation of movie lovers funded art-house theaters by supporting “Boogie Nights,” “Memento” and “The Virgin Suicides.” Now, the 2022 equivalent of storytelling like that is HBO’s “Euphoria.” Post-pandemic box office numbers are sharply down, particularly for smaller movies, which is why United Artists Releasing has given “Bones and All” a Nov. 18 theatrical release: It’s the same window in which almost all installments of the “Twilight” saga dropped, setting multiplexes on fire as teen girls showed up in droves for Kristen Stewart and Robert Pattinson.
When I meet Chalamet in a hotel room in London, the young actor offers to pour me a glass of sparkling water as we sit down for a conversation with Guadagnino and Chalamet’s co-star, Taylor Russell. Hollywood has had a deficit of movie stars lately, particularly in the 20-something age bracket. Chalamet’s superstar appeal has always been in his “soft boy” aesthetic (which was famously parodied in a hilarious “Saturday Night Live” skit by Chloe Fineman). His fans like that he’s approachable, but he can also turn it up like royalty on a carpet — as he did at the Venice premiere of “Bones and All” in a red jumpsuit with a bare back that created a commotion on the Lido. Chalamet was showered with more cheers than even Harry Styles, who touched down in Italy at the start of awards season for “Don’t Worry Darling.” (Despite speculation on Twitter, Styles didn’t spit on Chris Pine.)
At Venice, Chalamet made headlines when he proclaimed that it’s “tough to be alive” in the age of social media, adding, “I think societal collapse is in the air.” When asked to elaborate on this assertion in London, he backpedals: “I think what I was saying was really, ‘What would it be like to grow up now?’” he says. “I guess I’m still growing up. Especially in the context of my career, I’m still growing. But I think Taylor and my generation was really the level-one social media — Vine, MySpace. And I think now it’s just more ingrained. But I’m definitely not the authority on the subject. And, equally, it could be a great space to find your people.”